Sir
Elton Hercules John -
Part 2
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Musicals
In addition to a 1998 adaptation of "The Lion King" for Broadway,
John has also composed music for a Disney production of "Aida" (2000)
with lyricist Tim Rice, for which they received the Tony Award for Best Original
Score and the Grammy Award for Best Musical Show Album.
John also composed music for a West End production of "Billy
Elliot" (2005) with Lee Hall, and "The Vampire
Lestat" with Bernie Taupin, based on the Anne Rice vampire
novels.
Personal life
John has had a complicated personal history. He disclosed his bisexuality in
1976 in a Rolling Stone Magazine interview. He married German recording engineer
Renate Blauel on Valentine's Day, 1984, but they divorced four years later.
He has lived with his partner David Furnish, a former advertising
executive, since the early 1990s. On 21 December 2005, they
entered into a civil partnership. A low-key ceremony with
only their parents in attendance was held at the Guildhall,
Windsor, followed by a lavish party at their Berkshire mansion.
Guests at the party included Victoria Beckham, Hugh Grant
and Jemima Khan, Boy George, Joss Stone, Ringo Starr, George
Michael, Tim Burton and Helena Bonham Carter, Bryan Adams,
Michael Caine, Donatella Versace, Claudia Schiffer, Elizabeth
Hurley, Sting, Sharon Stone, The Pet Shop Boys, Stephen Gately,
Elvis Costello, Jamie Cullum, Sarah Ferguson, Kid Rock, Cilla
Black, Lulu, James Blunt, and The Osbournes. The Sun newspaper
marked the event with the headline 'Elton Takes David Up
the Aisle'.
In 1976, Elton John became involved in Watford Football
Club and fulfilled a childhood dream by becoming its chairman
and director. He invested large sums of money and the club
rose into the First Division after a number of key acquisitions.
He sold the club to Jack Petchey in 1987, but remained their
life-long president. In 1997 he re-purchased the club from
Petchey and once again became chairman. He stepped down in
2002 when the club needed a full-time chairman although he
continued as president of the club. Although no longer the
majority shareholder, he stills holds a significant financial
interest. In June 2005 he held a concert at Watford's Vicarage
Road ground, donating the funds to the club.
John has long been associated with AIDS charities after
the deaths of his friends Ryan White and Freddie Mercury,
raising large amounts of money and using his public profile
to raise awareness of the disease. For example, in 1986 he
joined with Dionne Warwick, Gladys Knight, and Stevie Wonder
to record the single "That's What Friends Are For",
with all profits being donated to the American Foundation
for AIDS Research. The song won Elton and the others the
Grammy Award for Best Pop Performance by a Duo or Group with
Vocal (as well as Song of the Year for its writers, Burt
Bacharach and Carole Bayer Sager).
John founded the Elton John AIDS Foundation in 1992 as a
charity to fund programmes for HIV/AIDS prevention, for the
elimination of prejudice and discrimination against HIV/AIDS-affected
individuals, and for providing services to people living
with or at risk of contracting HIV/AIDS.
Aside from his main home in Windsor, England, John splits
his time in his various residences in Atlanta, Georgia; Nice,
France; London, England; and Venice, Italy.
During his career, John has battled addictions to cocaine
and rumoured financial difficulties caused by his profligate
spending. In the mid-late 1990s, John formed a friendship
with colleague Michael Jackson. Because of the help John
gave him during his addiction to painkillers, Jackson dedicated
the 1997 album "Blood on the Dance Floor" to him.
Elton John is a noted art collector, and is believed to
have one of the largest private photography collections in
the world.
Musical style and voice
In the 1970s, Elton John's sound immediately set him apart from most others
by being piano-based in a rock 'n' roll world dominated by guitars. Another
early characteristic was a set of dynamic string arrangements by Paul Buckmaster.
Coupled with Taupin's often opaque but emotionally resonant lyrics, the results
were unique in the history of music. Songs in this style included "Sixty
Years On", "Burn Down the Mission", "Take Me to the Pilot", "Levon", "Madman
Across the Water", and the best-known of these, "Tiny Dancer".
"Your Song", one of his earliest popular hits,
incorporates some other features found in many of his songs:
It is in binary form, with the verse repeated before the
chorus begins;
The piano accompaniment is prominent, though the song also
features an orchestra;
It uses a slowly building crescendo that brings the song
to a "tutti" climax. Other songs that follow this
pattern include "Don't Let the Sun Go Down On Me" and "Rocket
Man".
John also has a distinctive vocal style. In particular,
his phrasing is often a bit metronomic and sometimes has
a curiously off-kilter, 'rushed' quality especially at the
end of lines (example: the phrase 'like a puppy child' in
the song "Amoreena"). He also, at least in his
classic period in the 1970s, would sometimes sweep up from
his normal tenor into a Four Seasons-like falsetto.
Elton John underwent throat surgery to remove potentially
cancerous nodules from his vocal chords in January 1987 while
on tour, a necessity he originally said was due to an infection,
but later said was the result of excessive drug abuse. The
problems with his voice can clearly be heard in his raspy
singing on the "Live In Australia" album (released
1987). He made a full recovery from the surgery, but he continued
to indulge in illegal drugs for a few more years. The surgery
in 1987 also had an after-effect on John's voice, and he
found that he could no longer sing in falsetto as well as
he previously could, and that he now sang in a lower range.
The change in Elton John's voice has been largely played
down, with Elton commenting fifteen years after the surgery
that he was 'singing better than ever.' Sudio effects were
evidently added to his voice on his first UK No 1 Hit "Sacrifice" (1990).
The release of "Songs From The West Coast", his
2001 album, showed very clearly how different his voice is
to his prime. It is a matter of opinion which singing style
is better, but few would deny that Elton John remains an
excellent singer.
Quotations
'You can call me a fat, balding, talentless, old queen who can't sing at you
can't tell lies about me.' (After successfully winning a libel case against
The Sun in 1987 for alleged underage sex.)
'I haven't made a good album in a long while. Not since
1976 and Blue Moves.'
'If there is a better singer in England than Craig David,
then I am Margaret Thatcher.'
(After being asked about his sexuality in the 1970s) 'I
think people should be free to engage in any sexual practices
they choose; they should draw the line at goats, though.'
'Nowadays, record companies want the quick buck from the
Backstreet Boys, Britney Spears, Travis Miscia, S Club Seven,
Steps. They've always been around, I'm not knocking the music
perhaps, but it's like packets of cereal. There are too many
of them, too many of them are just mediocre. And I think
it damages real people's chance, real talent, of getting
airplay. It's just fodder.'
'There's so much you're expected to do and you follow a
pattern. You make a record, you do a video. I like to break
the rules a little bit more and I did in the 70s, I should
try a little bit more now.'
'Anyone who lip-synchs in public on stage when you pay £75
to see them should be shot. That's me off her Christmas card
list. But do I give a toss? No.' (about Madonna)
'If I had one finger left, I'd play for you.' (After breaking
his fingernails by playing too hard)
'I thought it was a bit of an anti-climax, to be honest.
The thought behind it was fantastic, but Hyde Park is a charisma-free
zone. There was no sense of occasion and from a musical point,
I didn't think there were too many highlights. I was very
pleased to be a part of it, but I didn't think it was anywhere
near as good as the first one. How could it be?' (about Live
8)
'The great thing about rock and roll is that someone like
me can be a star.'
'Well, Oprah Winfrey's fat / Phil Donahue just take a hike
/ Why won't they let Howard Stern on TV?' (A tribute song
he sang for Howard Stern in the late 1980s.)
'But you'll have to perform a fellatious sex act.' (Joking
around with Howard Stern about putting Stern in his will
during a December 16, 1998 interview.)
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